Your musical timekeeper.
Set a BPM and the tool marks equal intervals. Use the clicks as a reference while you practise swaras, alankars, taans, konakkol, scales, chords, repertoire or instrumental technique.
Free precision practice tool
Find the pulse. Shape the groove. Train your timing across Carnatic, Hindustani and Western music with a studio-grade metronome built for focused practice.
Open the console20–320 BPM · Tap tempo · Custom meters
Rhythm, made visible
A metronome produces regular clicks at a chosen number of beats per minute. It helps you hear where the beat sits, notice when you rush or drag, and practise rhythmic ideas with clarity.
Set a BPM and the tool marks equal intervals. Use the clicks as a reference while you practise swaras, alankars, taans, konakkol, scales, chords, repertoire or instrumental technique.
Custom groupings and accents make this useful beyond standard 4/4. Hear the shape of 5, 7, 9 or more beats while keeping every subdivision even.
BPM range for slow control and high-speed precision.
Hear strong beats, split the pulse into two, three or four, then mute full bars to test whether the timing now lives within you.
How to use it
Use a simple repeatable process instead of chasing speed. A clean phrase at a slower tempo gives you something reliable to build on.
Start below performance speed. Accuracy and ease come before speed.
Select a meter or create your own grouping for tala and odd cycles.
Hear a few clicks first. Let the pulse settle before you begin playing.
When the phrase feels clean, move up by two to five BPM and repeat.
Why it matters
The goal is not to sound robotic. It is to know the pulse well enough that expression becomes intentional.
Spot rushing and dragging before either becomes a habit.
Repeat difficult passages at a pace your hands and voice can manage.
Prepare entrances, rests and transitions that align with other musicians.
Use silent bars to test whether you can keep time without constant clicks.
One pulse.
Two centuries
of practice.
A short history
Musicians explored pendulum-based timekeepers long before the modern metronome. In 1814, Amsterdam-based inventor Dietrich Nikolaus Winkel demonstrated a practical double-weighted pendulum mechanism that could mark slower tempos in a compact form.
Johann Nepomuk Maelzel then developed and commercialised a related design, securing a patent in 1815 and helping numerical tempo markings become widely used. That is why historic scores often use the initials “M.M.” for Maelzel’s Metronome.
Frequently asked questions
Quick answers about BPM, tala, subdivisions and using the SURIX metronome well.
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